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According to media critic Geert Lovink, the Internet is being closed off by corporations and governments intent on creating a business and information environment free of dissent. Calling himself a radical media pragmatist, Lovink envisions an Internet culture that goes beyond the engineering culture that spawned it to bring humanities, user groups, social movements, nongovernmental organizations (NGOs), artists, and cultural critics into the core of Internet development.In "Dark Fiber, Lovink combines aesthetic and ethical concerns and issues of navigation and usability without ever losing sight of the cultural and economic agendas of those who control hardware, software, content, design, and delivery. He examines the unwarranted faith of the cyber-libertarians in the ability of market forces to create a decentralized, accessible communication system. He studies the inner dynamics of hackers? groups, Internet activists, and artists, seeking to understand the social laws of online life. Finally, he calls for the injection of political and economic competence into the community of freedom-loving cyber-citizens, to wrest the Internet from corporate and state control.The topics include the erosion of email, bandwidth for all, the rise and fall of dot-com mania, techno-mysticism, sustainable social networks, the fight for a public Internet time standard, the strategies of Internet activists, mailing list culture, and collaborative text filtering. Stressing the importance of intercultural collaboration, Lovink includes reports from Albania, where NGOs and artists use new media to combat the country's poverty and isolation; from Taiwan, where the September 1999 earthquake highlighted thecultural politics of the Internet; and from Delhi, where a new media center explores free software, public access, and Hindi interfaces.

According to media critic Geert Lovink, the Internet is being closed off by corporations and governments intent on creating a business and information environment free of dissent. Calling himself a radical media pragmatist, Lovink envisions an Internet culture that goes beyond the engineering culture that spawned it to bring humanities, user groups, social movements, nongovernmental organizations (NGOs), artists, and cultural critics into the core of Internet development.In "Dark Fiber, Lovink combines aesthetic and ethical concerns and issues of navigation and usability without ever losing sight of the cultural and economic agendas of those who control hardware, software, content, design, and delivery. He examines the unwarranted faith of the cyber-libertarians in the ability of market forces to create a decentralized, accessible communication system. He studies the inner dynamics of hackers' groups, Internet activists, and artists, seeking to understand the social laws of online life. Finally, he calls for the injection of political and economic competence into the community of freedom-loving cyber-citizens, to wrest the Internet from corporate and state control.The topics include the erosion of email, bandwidth for all, the rise and fall of dot-com mania, techno-mysticism, sustainable social networks, the fight for a public Internet time standard, the strategies of Internet activists, mailing list culture, and collaborative text filtering. Stressing the importance of intercultural collaboration, Lovink includes reports from Albania, where NGOs and artists use new media to combat the country's poverty and isolation; from Taiwan, where the September 1999 earthquake highlighted thecultural politics of the Internet; and from Delhi, where a new media center explores free software, public access, and Hindi interfaces.

Free software - Free software, as defined by the Free Software Foundation, is software which can be used, copied, studied, modified and redistributed without restriction. Freedom from such restrictions is central to the concept of "free software", such that the opposite of free software is proprietary software, and not software which is sold for profit, such as commercial software.

Free as in Freedom: Richard Stallman's Crusade for Free Software - Free as in Freedom: Richard Stallman's Crusade for Free Software (ISBN 0-596-00287-4) is a free book licensed under the GNU Free Documentation License about the life of Richard Stallman, written by Sam Williams and published by O'Reilly Media.

Debian Free Software Guidelines - The Debian Free Software Guidelines (DFSG) are a set of guidelines that the Debian Project uses to determine whether a software license is free software license, which in turn is used to determine whether a piece of software can be included in the main, free software distribution of Debian. Debian had by 2003 collected over seven and a half thousand software packages compliant with the above guidelines.

Free Software Magazine (China) - Free Software Magazine (FSM) was a China-based attempt, in 2002, at a free-content magazine, typeset with LaTeX, on the Free Software Movement, free software and related issues, which was very similar to the more recent globally-distributed Free Software Magazine.

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Free Email Marketing Software - Free Email Marketing Software High Impact Email Marketing 3.0 High Impact Email Marketing 3.0 Provides three easy to follow steps on how to grow your business from creating powerful marketing that gets you noticed, sending professional campaigns to new free email marketing software and existing customers to tracking results with simple to use metrics worksheets. Create polished email campaigns at the touch of a button! Graphics are conveniently housed on a central Readyshare server minimizing file size for easy ...

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